heyfatchick:

Kelli Jean Drinkwater
(via Fat Girls Like Nice Clothes Too!: MySpace)

heyfatchick:

Kelli Jean Drinkwater

(via Fat Girls Like Nice Clothes Too!: MySpace)

No summer ever came back

No summer ever came back

bigfun:

tobia:

Pierre Huyghe, This is not time for dreaming, Spectacle de marionnettes et film super 16 mm, transféré sur Béta Digital, 24 minutes, 2004, via centrepompidou.fr
via a4rizm.

bigfun:

tobia:

Pierre Huyghe, This is not time for dreaming, Spectacle de marionnettes et film super 16 mm, transféré sur Béta Digital, 24 minutes, 2004, via centrepompidou.fr

via a4rizm.

The Russian Fab…seven!

magnificentruin:

4.
Saul SteinbergThe Labyrinth1954–1960Harper & Brothers, Publishers, NY

magnificentruin:

4.

Saul Steinberg
The Labyrinth
1954–1960
Harper & Brothers, Publishers, NY

In Paris people think in french

In Paris people think in french

[Flash 9 is required to listen to audio.]
(Ascoltata 271 volte)

musichistory:

kinochestvo:

This is a very weird one.  Here’s some of my  collection of Nazi propaganda swing music- tunes produced by the Nazis during  the war as propaganda for foreign audiences, despite the official party line being rather stridently against swing music. Thus, you have very credibly done covers of various jazz/swing standards with only a tinge of a German accent, but the words have all been changed to match the ‘party line’, with sometimes unintentionally hilarious results.

“Bye-bye Churchill, BBC, BBC, BBC.

Your tricks won’t work with It-a-ly.

Tra-la-la-la-la.

Why not give us different news?  Different news?  Different news?

Skip those Soviets, skip those Jews!”

Scarica

The NASA Space Shuttle Atlantis seen in silhouette during solar transit.

The NASA Space Shuttle Atlantis seen in silhouette during solar transit.

Canadian artist Marcel Dzama

Canadian artist Marcel Dzama

Born in  			1865, in Jericho, Vermont, Wilson Bentley grew up on a farm in a  			region where the annual snowfall is approximately 120 inches.   			Largely self-taught, he, at the age of seventeen, acquired a  			photomicroscope and began looking at everything natural. Gifted and  			imaginative, he devised a method of catching snow on a board, and  			when he felt he had isolated a fine crystal from the others, he  			would go to an unheated shed, transfer the crystal to a glass slide,  			then focus his camera, letting available light through a tiny  			aperture, leaving the shutter open for several seconds, sometimes up  			to a minute and a half.  In his lifetime, Wilson A. Bentley  			photographed 5,381 crystals.  No two are alike. 

Born in 1865, in Jericho, Vermont, Wilson Bentley grew up on a farm in a region where the annual snowfall is approximately 120 inches.  Largely self-taught, he, at the age of seventeen, acquired a photomicroscope and began looking at everything natural. Gifted and imaginative, he devised a method of catching snow on a board, and when he felt he had isolated a fine crystal from the others, he would go to an unheated shed, transfer the crystal to a glass slide, then focus his camera, letting available light through a tiny aperture, leaving the shutter open for several seconds, sometimes up to a minute and a half.  In his lifetime, Wilson A. Bentley photographed 5,381 crystals.  No two are alike.